Presents
Forgotten Icons 4, 2021
Limited edition : 6/10
Pigment inkjet print on
Hahnemuhle paper
114.3 x 76.2 cm
A solo exhibition by
Djibril Drame
"More True Than Fact" is a retrospective exhibition that explores the themes and concepts articulated in the works of Senegalese photographer Djibril Drame. The exhibition draws together key elements of the lived experiences explored and the narratives articulated over the course of Drame's 15 year career to present his particular vision for the future of African people. Natural elements, scenes, and customs of senegalese culture are presented and positioned to aid Drame in articulating his vision for the future.
By encouraging a true and rich (re)connection with emotion, humanity and mortality, a foundation is healed. It is with that new foundation that we can explore the interiority of self. In community, Drame reminds us that we can redefine and reveal our sacred interiors through the ornamented presentations of our bodies. With the strengthened and flamboyant versions of ourselves, he urges us to engage in the final exchange: stripping the distractions of denigrating western concepts that have stolen, killed, and destroyed who we know ourselves to be.
Although the future we are attempting to build is merely a figment of our imaginations, not yet intelligible through our ways of knowing, the momentousness of our freedom makes every vision constructed more true than fact.
Curated by Khaleelah I. L. Harris
Djibril Drame is a Senegalese visual artist based in Dakar after living in Los Angeles for years. His work strives to shed light on socially relevant and potentially controversial issues affecting our world today. He started as a graffiti artist before focusing on photography in 2008. In addition to exploring film, Djibril uses galleries and the streets to showcase his art.
Double Exposure (2023): Djibril Drame
This film photography series, shot by Gallery Curator & Manager Khaleelah I. L. Harris, chronicles the exhibiting artists during the 2023 exhibition calendar. “Double Exposure” addresses the themes of intimacy and bareness that appease much of the epistemic lenses which violently narrate the Black experience. Committed to the retention of details, this series presents exhibiting artists while avoiding the need to infiltrate their personal lives to present an intimate portrait.
Coming soon…
EDITORIAL
Our new editorial section, created by Social Media Manager and Research Associate Arianna Adade, will include a written article and essay that highlights the major themes of each exhibition that connect to art history, philosophy, and culture.